Hey, we beat COVID again over the weekend! So, we're back on today's BradCast and with a fearless in-studio guest for that matter! [Audio link to full show follows this summary.]

Very quickly, at top of show, an update on our seemingly never-ending personal COVID nightmares. (Yup, I got it again last week, but kicked it by showtime today! And I ain't the only one.); A bit of breaking news on a spate of wildfires breaking out around Southern (and Northern) California; And some news on Israeli Prime Minister Benjamin Netanyahu's wartime coalition "unity" cabinet falling apart, even as the military seems to turn on the PM, who has reportedly undermined ceasefire and hostage release negotiations "due to political considerations" and his need to stay in power to avoid pending criminal charges.

THEN, we are joined in-studio by veteran journalist STEVE HERMAN of the non-profit, non-partisan, independent, government-funded media outlet known as Voice of America. After spending nearly three decades as an overseas bureau chief for VOA, mostly in Asia, Herman moved back stateside to become White House Bureau Chief during the four years of the Trump Administration and first eight months of Biden's. Now, he has a brand new book detailing insider observations and lessons from those years, titled Behind the White House Curtain: A Senior Journalist's Story of Covering the President --- and Why It Matters.

While I just got over my latest bout with COVID this past weekend, I was somewhat concerned that Herman might not want to join me in person in a small radio studio for an hour. Then I remembered that he was among the very first civilians to enter the Fukushima Nuclear Plant after its 2011 meltdown and would later go on to serve in the cramped, poorly ventilated basement confines with the White House Press Corps during Trump's mishandling of the worse pandemic in 100 years. So, yeah, he doesn't seem easily shaken.

Among the many topics of my discussion with Herman today, based on details, stories and history lessons from his fascinating new book...

• Details on working as a radio pool reporter during critical historic events during the Trump presidency.
• That time Donald Trump tested positive for COVID, didn't tell the public (or the press corps working in close quarters with him) for four days, became gravely ill, and the White House lied about all of it.
• Which was more unnerving? Walking into the nuclear plant at Fukushima just after a meltdown, or showing up each day in the White House during the worst of COVID, with a President who routinely violated WH safety protocols himself?
• How --- and why --- the Trump Administration tried to capture VOA as a propaganda tool (the agency is prohibited, by law, from engaging in such practices and must remain independent), and how Herman was specifically targeted with a "dossier" compiled by Trump's henchmen at VOA's parent agency, the U.S. Agency for Global Media (USAGM).
• Herman discusses that time he was banned from Mike Pence's Air Force Two after revealing that the Vice President was told in advance of his maskless visit to the Mayo Clinic in Minnesota that masking was mandatory under the legendary health facilities house rules.
• The need for skepticism of government officials by journalists, and how should be the role of WH correspondents to not only report what officials say, but to report on when and how they are not telling the truth to the American public.
• The differences in the pressures facing journalists at commercial news outlets reporting on the White House, versus that of non-commercial new organizations like VOA.

To give you a quick taste of the conversation today: On the Trump Administration's failed effort to capture Voice of America as a MAGA outlet, Herman tells me "...he was just looking for a head on a pike...And I would have been a good head on a pike. There was a perception that Voice of America was not stepping in line with the Trump Administration. That I and others were guilty of anti-Trump bias, allegedly. And anytime anyone has said that, whether they think I'm anti-Trump or anti-Biden or anti-whoever, go look at the stories we write, and show me where the bias is."

Of course, having the President of the United States himself furious at Voice of America for not being a propaganda outlet, kinda proves the point that, as Herman explains in his fascinating book, VOA, for some eight decades now has not served as a mouthpiece for any particular Presidential Administration. It has proven itself over and again to be a service that its stake holders --- the people of the U.S. whose Government funds it, even as VOA is barred from broadcasting here --- should be proud of. It has long served as a trusted source of news to uncountable millions across the globe in dozens of countries and languages where the service has played a critical role in countering disinformation --- either foreign or domestic --- since the outlets founding in 1942...

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Of course, just as COVID and other respiratory viruses are surging in L.A. (and California, and much of the rest of the country), we have our first in-studio guest on The BradCast since the pandemic. Oh, well. Wish us luck! [Audio link to full show is posted below this summary.]

We're joined today by the great STEVE HERMAN of Voice of America who spent some 26 years covering various regions in Asia and serving as VOA correspondent and Bureau Chief in India, Korea, Thailand. In 2016, he returned stateside to serve as VOA's Senior Diplomatic Correspondent, for a brief stint, before becoming the eight decade-old, U.S. funded media outlet's White House Bureau Chief. After serving 4 totally easy-peasy years at the White House during the Trump Administration and several months during Biden's, Herman is now on the road as VOA's Chief National Correspondent covering the 2024 campaign. (I know, I know...we're not even done with 2022 around here!)

In a broad, in-studio conversation today --- including questions from listener callers --- we cover, among many other things...

• Herman's initial visit to the Fukushima nuclear plant just after the 2011 meltdown disaster...without any sort of physical protection! (That was when he first appeared as a guest on our program.)

• How VOA stands virtually alone as a state-funded news outlet given its special charter, a "firewall" enshrined by federal statute that prevents the government from meddling in its coverage. "The White House, or even the head of our parent agency, the U.S. Agency for Global Media, cannot tell me or my editors what we have to report or cannot report. They cannot be involved editorially," says Herman.

• How and why that makes VOA different from state-funded propaganda outlets in Russia, China, Iran and elsewhere. "I like to say VOA is probably the only news organization in the world that is mandated by law to be fair and effective," Herman explains. "In that charter it says we must reflect the different views of what's going on in the United States."

• "Facts are facts," he tells me, regarding so much mis- and disinformation by both the Right and Left. "What they are reporting at RT [Russia Today] and Sputnik is not factual, especially about the war in Ukraine. ... It's a situation that we see from Chinese state media and Iranian state media. And this goes back all the way to why VOA was created after the start of World War II, because you had Nazi Germany on the airwaves, uncontested to a great degree, spitting out anti-American and pro-Nazi propaganda. What VOA was set up to do was to tell the audiences, initially in German and also in Japanese, what's going on with the war, whether it's good or bad."

• The efforts by the Trump Administration, while Herman served as VOA's WH Bureau Chief, to affect the agency's news coverage and attempts to pressure Herman himself. "When these things have happened over the decades in various administrations, it also demonstrates that VOA is not a propaganda service," he argues. "If it were a propaganda service, we would not be getting complaints from within the United States government on some of the stories we've been doing."

• - Herman's thoughts on the insane response by Donald Trump over the weekend to Matt Taibbi's "Twitter Files" thread detailing internal discussion/debate among Twitter executives in the run-up to the 2020 election when deciding whether or not to suppress questionably sourced reporting on Hunter Biden's laptop.

• All of that and much more, including praise for sushi in Los Angeles from a guy who worked for decades in Asia!

Also covered today, a few news headlines at the top of the show...

• Flu, COVID and other respiratory illness is "off the charts" in California, Los Angeles County and elsewhere around the country.
• Russia's latest missile assault on civilian infrastructure in Ukraine, and the nearly 600 documented cases of apparent war crimes by the aggressor nation since Putin's invasion in February.
• The apparent coordinated domestic terror attacks on electric substations in Moore County, North Carolina that has knocked out power and water to tens of thousands of residents.
• Early voting is over and Election Day now awaits on Tuesday in Georgia's U.S. Senate runoff between Democratic incumbent Sen. Raphael Warnock and Trump-backed sociopathic liar Hershel Walker.
• The weekend's aforementioned insane (and largely pointless) Twitter thread by Matt Taibbi, how it has been misreported by MAGA Republicans including Donald Trump, who dishonestly represented the reporting in order to call for "termination" of the U.S. Constitution (seriously!) in its wake...

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In what would be a dream world for our previous President, who declared the media to be "the enemy of the people" just before his infamous 2018 meeting with Russia's Vladimir Putin in Helsinki, Russia has now criminalized pretty much any and all independent media. But our guests on today's BradCast have a really cool and, yes, retro idea about how to help counter Russia's media blackout. [Audio link to full show follows this summary.]

Among other restrictions, Putin's new censorship law, adopted just after his invasion of Ukraine, mandates harsh penalties, including jail time, for the crime of reporting on the invasion as an "invasion" or "war". Independent outlets have been forced to shutter or have stopped covering the war at all. Western media outlets have pulled their reporters and Russia has closed Internet access to websites of foreign state-run media outlets such as Voice of America, Radio Free Europe, the BBC and Deutsche Welle.

Kremlin-approved propaganda is now all that many Russians have access to, where they are being told that Russia's barbaric military assault on its sovereign neighbor --- including its civilian population --- is little more than a minor, "special military operation" meant to "demilitarize and denazify" Ukraine. Civilians are not being harmed, and anyone who says otherwise is reporting "fake news," the Kremlin insists.

Of late, however, as Julia Davis reported yesterday at The Daily Beast, some cracks are beginning to appear, even on Kremlin-approved television, including one of Moscow's most popular evening news programs, whose Putin-friendly host has been sanctioned by the EU and where nightly broadcasts frequently end with clips of monologues by Fox 'News' star Tucker Carlson.

For most Russians, however, there is very little access to independent, outside reporting to counter the official state media narrative. Our guests today, attorney KATE NEISWENDER and former longtime Voice of America employee and shortwave radio enthusiast KIM ANDREW ELLIOTT are part of a small, grassroots effort aiming to revive a Cold War technology in hopes of helping counter the information desert inside of Putin's new Iron Curtain.

Dubbed #ShortwavesForFreedom on social media, the new project has begun raising money to fund re-broadcasts of Voice of America (VOA) programming into Ukraine and Russia via shortwave frequencies. While the BBC World Service announced this week they were reviving their old shortwave broadcasts into the former Soviet Union, the Voice of America and Radio Free Europe/Radio Liberty --- both managed by the U.S. Agency for Global Media (USAGM) --- have declined to do so, at least so far.

Neiswender, Elliott and a number of other VOA veterans and supporters aim to fill that gap with a crowd-funded effort. The group has already raised enough over just the past week or so to get up and running --- rebroadcasting some of VOA's programming (which is all public domain) --- into Europe via shortwave transmission from Florida station, WRMI Radio Miami International.

They both join us today to explain, among other things: How this effort came together in just over a week's time; how they hope to expand from English-language programming to broadcasts in both Ukrainian and Russian; why they believe VOA (actually, USAGM) has yet to take this step themselves; and how a very small amount of money can go a very long way in this project, as they seek additional broadcasters to help transmit shortwave programming from both the U.S. and Europe.

Does anyone in Russia still even have access to the equipment needed to listen to the broadcasts? "Well, nowadays for sure, fewer people will be listening to shortwave and fewer people have shortwave radios," Elliott explains. "But, when the Internet is cut, squeezed, blocked, and at some point maybe even with lines into the country cut off, radio will be the only way to get in to the country. And then, the people in those countries will have to try to find their old Soviet-era shortwave radios." He believes "that audience can pass the information on to the larger audience in those countries."

Will Russian audiences have any more confidence that what they are hearing from Western state-run outlets like VOA is any more reliable than what their own state-approved outlets are telling them? "VOA and RFE (Radio Free Europe) have a government-imposed, in-the-code-written-by-Congress, can't-get-around-it mandate to be fair," Neiswender argues. She's referring to USAGM's Charter, adopted during the Ford Administration, which one VOA journalist has explained to me, means that, "We're probably the only news organization in the world that is mandated to be fair, objective and unbiased."

Whether VOA and RFE's reports are perceived as such by listeners inside of Russia and Ukraine is another matter, but their broadcasts did serve as an information lifeline to many behind the old Iron Curtain for many decades of the Cold War.

For now, the effort is already working. Elliott, who spent more than 30 years as a broadcaster and audience analyst at VOA tells us that "the signal is getting through to a very large extent, and sometimes with really good reception quality. Direct feedback from the audience, that will take some days and weeks as the word gets around that these transmissions are available. Already, WRMI received a note from a diplomat in Egypt who heard the Russian transmission. It is getting through."

Neiswender says that the project's success is only a matter of raising funds to keep going and expand their reach. The effort is crowdsourced with a fund raiser at Fundrazr.com/RadioWaves. A very small amount of money goes a long way here, she insists. They are already up and broadcasting after raising just over $6,000.

All of the money, "goes directly to the stations. No one is getting a dime from this that is organizing it or running it. Every cent of the money that is coming in is going directly back out to fund these transmissions," she notes.

It's a fascinating conversation about a fascinating project that I believe is well worth your time today, even as these are very strange days indeed.

Finally, we close with one more fascinating story, and a song. The story comes, ironically enough, courtesy of Fox "News", regarding Marina Baronova, the now-former Managing Editor of Russia's state-owned media outlet Russia Today (RT). She resigned her post last week in protest of Putin's invasion of Ukraine. She now fears for her life, though not necessarily for the reasons you may assume. And her interview with Fox concludes with this message: "Russians love their children, too."

As it happens, Grammy-winner Sting, last weekend, posted an Instagram video singing his 1985 tune called "Russians" which, he says, he has rarely sung since the end of the Cold War. Now, as you'll hear, it has new relevance. Apparently even for Baronova...

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